Makoto Fujimura is a leading contemporary artist whose process driven, refractive “slow art” has been described by David Brooks of New York Times as “a small rebellion against the quickening of time”. Robert Kushner, in the mid 90’s, written on Fujimura’s art in Art in America this way: “The idea of forging a new kind of art, about hope, healing, redemption, refuge, while maintaining visual sophistication and intellectual integrity is a growing movement, one which finds Makoto Fujimura’s work at the vanguard.
Fujimura graduated with a Bachelor of Arts degree from Bucknell University, then studied in a traditional Japanese painting doctorate program for several years at Tokyo University of the Arts with several notable artists such as Takashi Murakami and Hiroshi Senju. His bicultural arts education led his style towards a fusion between fine art and abstract expressionism, together with the traditional Japanese art of Nihonga and Kacho-ga (bird-and-flower painting tradition). Fujimura’s art has been featured widely in galleries and museums around the world, and is collected by notable collections including The Museum of Contemporary Art in Tokyo, The Huntington Library as well as Tikotin Museum in Israel. His art is represented by Artrue International in Asia and has been exhibited at various venues including Dillon Gallery, Waterfall Mansion, Morpeth Contemporary, Sato Museum in Tokyo, Tokyo University of Fine Arts Museum, Bentley Gallery in Phoenix, Gallery Exit and Oxford House at Taikoo Place in Hong Kong, Vienna’s Belvedere Museum, Shusaku Endo Museum in Nagasaki and Jundt Museum at Gonzaga University. He is one of the first artists to paint live on stage at New York City’s legendary Carnegie Hall as part of an ongoing collaboration with composer and percussionist, Susie Ibarra. Their collaborative album “Walking on Water” is released by Innova Records.